2006 Illustration for 11211 Magazine, Let's Grow Art Show

Another early job I got was to illustrate Roni from Laila Lounge in Williamsburg for 11211 magazine. There was no direction or images sent to me, so I went down and interviewed him/sketched him in person. This was not typical in 2006 and is practically unheard of today, but it was a really great experience. Roni was a very funny and interesting person, he told me all about the place and himself and I was able to add some details into the image. I really like the way the spray came out in the background; the gradient and textures. They only ended up using the image as a quarter page, which meant my already tiny compensation would be even less. I never got to see the image printed, and I also had to fight for months with the owner of the magazine to get paid. But, Roni loved the image and wanted me to show my work in his place.

Flyer designed by Esther Westwood, art by artists in show

I organized Let's Grow! Art Show on Aug 17, 2006 with some of my friends including: Fumiko Yoshioka, Jason Raish, Rob Harrigan, Stephanie Buscema, Esther Westwood and Magie Serpica. We had about 5 or 6 pieces up each and there was a pretty good turnout. My childhood friend Lucas came, and my friends Matt and Morgan, Molly Crabapple etc. It was a really nice night and all came about from one tiny job.

2005-2006 College Work

I still like some of the work I created during this time, it has charm and energy. These drawings were done on blue paper from direct observation of the models. Mia Paloma Sorada was among the best, I called this one Waiting For Him.

Conversely, here is Waiting For Her. I don't remember his name, but they were both great models. I used a quill, brush and an awesome retractable multi-colored ballpoint pen I got from Japan. Drawing live really does add so much. These were done in Karen Santry's class, she had fun, elaborate setups.

This caricature of Owen Wilson was made to market my work to the NY Times. I like this, even though it is in such a generic editorial style. My friends thought it was funny I chose to draw him, but I loved him in Zoolander.

My friend Jason Raish and I were among the 10 finalists in the Dave Chappelle's Block Party Poster Contest. This would have worked much better if I was allowed to do a landscape composition, but I really love all the likenesses here. This was the first in a series of renaissance homage paintings I would create.

My favorite: Jack Nicholson's Joker! Since seeing Batman in the theatre in 1989, I have thought about the Joker every single day of my life. I began experimenting with spray backgrounds a la Ralph Steadman. You mix a batch of watercolor in a spray bottle, mask the areas you don't want the spray on using frisket film, then go to town! It adds a quality and directness that is missing when you piece the background together (like the block party background).

"That obscene giggle!" I love the film Amadeus, and created this large scale watercolor. I remember this was the first piece I framed with acrylic instead of glass, I was happy how light it was but it was prone to collecting dust and scratches. Amadeus and the Joker were given to my older sister.

I took my portfolio to every magazine and newspaper, it was a grueling and frustrating process. Most of the art directors would not meet with me in person and I had to leave it with the mail room. I'm sure they never even looked at them because I installed a trap to tell if it had been opened.

I met with Steven Heller from the NY Times, he flipped through quickly and mumbled something about my work being a "Chinese Menu". He went on and on about a drawing I did of Elvis, he loved the expression and the technique. I met with him again 6 months later and he honed in on that same drawing of Elvis and spent the entire time telling me how much he didn't like it.